Today’s jewellers widely recognize caring for the future is in their best interest—namely because millennials and gen-Z consumers tend to shop their values.
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Earlier this year, 29 BIPOC (Black, Indigenous, and People of Colour) U.S.- and U.K.-based jewellery designers penned an open letter to the industry.
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Completely cleansing the global diamond industry of blood, corruption, and conflict is no easy feat, and few are more familiar with this challenge than Ian Smillie.
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Currently, mining for product used to make jewellery continues just as it always has, with large-scale mines supplying 80 per cent of gold and diamonds and extracting resources as fast as possible.
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Have you read Marc Choyt’s feature, ‘A dream deferred: Ethical gold in North America,’ published in our May issue? You won’t want to miss his followup article, ‘The sustainability trap.’
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The ethical jewellery movement has picked up a bit of steam in North America in recent years, but how ‘ethical’ is ‘ethical,’ really?
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The truth is the talismanic symbolism of jewellery is too often disconnected from its sourcing. Why must it be this way, and what can we do about it?
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A young couple walks through the glass doors of your store. You know why they have come; the light in their faces, how their bodies casually lean into each other as they look into the cases—it’s obvious.
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