Recreating old or damaged jewellery in CAD can be challenging, but it does have its rewards. A job well done when the piece is complete comes to mind, not to mention the joy on the client’s face. I am always ready to take on a project when there is a sentimental story behind it.
As jewellery designers, we have the great privilege of becoming a part of our clients’ personal lives. Jewellery is all about celebration—engagements, weddings, anniversaries, birthdays, graduation, new babies, marking life’s achievements and milestones, or simply celebrating ‘just because.’
I love to draw. There is no greater satisfaction for me than to see a concept come to light. Drawing allows me to be creative and helps with better communication with my students and employees, which is why I’m always prepared to pull out a piece of paper and quickly sketch a design.
Most of my career has centred on creating custom-designed jewellery for individual clients. As such, a review of my past work would show a comparatively schizophrenic collection of jewellery, since most designs were largely driven by my clients’ needs and desires.
Let’s face it—buying jewellery is an emotional endeavour, which means, for the most part, we are in the business of selling romance or, in some cases, at least giving it a nudge in the right direction.
What I like best about Europe are the small towns with their narrow winding streets. Take this photo of a small village in France, for example. The homes all appear to have been built back in the 1800s.
In a normal week, I am given four potential custom pieces for which to work up estimates. Typically, customers approve two out of the four projects. My job is to create them as best I can, while at the same time, being mindful of my customers’ budgets.
Missing due dates, stones breaking, and rings melting are what keep me up at night. Nothing is worse for me than to have a sales associate tell me a customer is in the store to pick up their ring and I haven’t finished setting the stones yet.
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