Part 1 of 4
By Mark T. Cartwright

Poorly finished surfaces and tool marks from hurried craftsmen are obvious signs of mass-produced, mid- to low-market level jewellery. Photo courtesy Mark T. Cartwright
For the jewellery valuer, the importance of discerning and describing the level of craftsmanship cannot be overemphasized. Each step in the manufacture of jewellery can serve as an opportunity to demonstrate excellence or, all too commonly, provide an opportunity to skim more profit at the cost of quality. When we can examine a piece of jewellery and recognize the choices made by the manufacturer, we may find answers to questions that are vital to correct valuation. The care and skill exercised in the creation of a piece of jewellery can lead us to the correct market and market level, help solve the riddle of authenticity, identify potential hazards to its stability, assure proper indemnity, and possibly help our clients make better choices in the future.
Gaining perspective I began my professional jewellery career at the bench. I learned from my peers, in college art classes, and by attending industry-sponsored workshops that focused on specialized techniques. I abused countless stones, tortured much metal, and after almost 15 years on the bench, I nearly achieved mediocrity. In spite of having 10 left thumbs, the experience was invaluable to me and I learned to recognize the work of those jewellers who are truly gifted. Common shortcuts and shortcomings became easy to spot, and as the owner of a store specializing in handcrafted fine jewellery, I also understood the direct relationship between quality and cost. Although actual experience on the bench isn’t a requirement for evaluating a jeweller’s skill, familiarizing oneself with the qualities of exceptionally well-made jewellery is necessary to gain the proper perspective. Until you’ve seen the best, you will never recognize second best.
The reality is that exceptional quality takes time and skill to produce. Skilled craftspeople are a rare commodity who are typically well paid; the axiom “time is money” is especially true in the world of manufacturing. In my appraisals, I describe the various components of craftsmanship using the terms ‘excellent,’ ‘very good,’ ‘good,’ ‘fair,’ and ‘poor.’ I also explicitly define those terms. The various components I consider are the mounting, the finish, and the stone setting. I have a separate section in the report describing the quality of any repairs performed. Unfortunately, very few pieces I examine receive a grade higher than ‘good’ in any category; perhaps I’m a tough critic or maybe there is just a lot of mediocre jewellery in my market. Let’s look at the signposts of good craftsmanship and where they can lead us. Remember that jeweller’s skill and item condition are two separate issues and they should be described individually in our report.
More to come of this story in Part 2.
